Capstone Prep, Uncategorized

Capstone Prep – Blog #3

audio-engineer-roles

One very important aspect in the process of releasing music is mixing and mastering. This is important because it is the process that allows music to sound coherent, blended, and clean. To the average listener who knows nothing about audio engineering, there is no awareness of the mixing and mastering done to a song they listen to. However, if the mixing, mastering, and all the engineering to that song were stripped away, they would cringe! This is what my third source is all about. According to the Conservatory of Recording Arts & Sciences, subsequent to recording, mixing is the second step to making a record. This is where you “take each of the individual audio tracks we recorded in step one, and put them together to sound like a cohesive music production experience”. Although a vast majority of the creativity in music is in the musical ideas, many people do not realize that a lot of creativity can be employed through mixing. This is due to the use of various effects that may not seem noticeable, but bring a song to life! In essence, mixing is glueing individual recorded tracks together to achieve a cohesive overall product. Mastering however, is the final step to producing a record. According to my source, CRAS, “this is where we take the finished, mixed recording, and run it through some final processing which prepare the song for distribution”. This step is also vital because it is what allows a song to sound consistently good on various platforms, such as a phone speaker, laptop speaker, headphones, the car, and even live concerts. Without mastering, what might sound perfect on studio monitors sounds cloudy and poor in the car. This source breaks down the steps to mixing in mastering which is very important and helpful for my project.

Source: https://cras.edu/what-is-audio-engineering/

My fourth source is all about record labels. Although independent artists are on the rise, and releasing music independently sums up my experience, record labels obviously still play a huge role in the music that is released worldwide. This source explains how record labels work. This is very relevant to my project because my projects is centered around how music is made and published in modern times. In these modern times, record labels often have the upper hand and the last say on what, how, and when music is published under their label.

Capitol_Records_sunset

Also, this can be a controversial topic because it often results in feud’s between artists and labels. This source breaks down what record labels are responsible for and what they control. From A&R support, marketing and promotion, specialist support, distribution, label deals, licensing deals, distribution deals, branding, and more, this source informs us on the inter workings of a label which plays a very big role in the music that we hear everyday.

Source: https://spinnup.com/uc/top-faqs/how-do-record-labels-work/

 

 

Uncategorized

Capstone Prep – Blog #3

audio-engineer-roles

One very important aspect in the process of releasing music is mixing and mastering. This is important because it is the process that allows music to sound coherent, blended, and clean. To the average listener who knows nothing about audio engineering, there is no awareness of the mixing and mastering done to a song they listen to. However, if the mixing, mastering, and all the engineering to that song were stripped away, they would cringe! This is what my third source is all about. According to the Conservatory of Recording Arts & Sciences, subsequent to recording, mixing is the second step to making a record. This is where you “take each of the individual audio tracks we recorded in step one, and put them together to sound like a cohesive music production experience”. Although a vast majority of the creativity in music is in the musical ideas, many people do not realize that a lot of creativity can be employed through mixing. This is due to the use of various effects that may not seem noticeable, but bring a song to life! In essence, mixing is glueing individual recorded tracks together to achieve a cohesive overall product. Mastering however, is the final step to producing a record. According to my source, CRAS, “this is where we take the finished, mixed recording, and run it through some final processing which prepare the song for distribution”. This step is also vital because it is what allows a song to sound consistently good on various platforms, such as a phone speaker, laptop speaker, headphones, the car, and even live concerts. Without mastering, what might sound perfect on studio monitors sounds cloudy and poor in the car. This source breaks down the steps to mixing in mastering which is very important and helpful for my project.

Source: https://cras.edu/what-is-audio-engineering/

My fourth source is all about record labels. Although independent artists are on the rise, and releasing music independently sums up my experience, record labels obviously still play a huge role in the music that is released worldwide. This source explains how record labels work. This is very relevant to my project because my projects is centered around how music is made and published in modern times. In these modern times, record labels often have the upper hand and the last say on what, how, and when music is published under their label.

Capitol_Records_sunset

Also, this can be a controversial topic because it often results in feud’s between artists and labels. This source breaks down what record labels are responsible for and what they control. From A&R support, marketing and promotion, specialist support, distribution, label deals, licensing deals, distribution deals, branding, and more, this source informs us on the inter workings of a label which plays a very big role in the music that we hear everyday.

Source: https://spinnup.com/uc/top-faqs/how-do-record-labels-work/

 

 

Capstone Prep, Uncategorized

Capstone Prep – Blog #2

After putting more thought into my project, I realized that an important aspect of of the music making process in modern times is royalties, splits, and performance rights organizations. I knew this topic would be more “scholarly” since it is so closely related to the industry and large corporations. Sure enough, there were significantly more results in the databases than my other searches. I found an article with a title that can’t be closer to what I wanted to discuss.

Performance rights organizations, or PRO’s, are organizations that allow copyright holders (artists, songwriters, publishers, producers) to collect royalties they deserve. There are many types of royalties but I’ll get into that later. These organizations are the only way to receive the money from royalties and essentially, there are only two legitimate ones: BMI and ASCAP. These two organizations do the same things but have plenty of differences. Coincidentally, I just signed my first legally biding contract with BMI last week. I am officially and legally stuck with them until 2021. My first source is an article comparing the two organizations which is important and relevant because there are only two that the entire world uses. Regardless of if your music has been streamed ten or ten million times, you must go through a PRO to get payed. This article goes into a detailed explanation of how this works and how the two organizations differ.

Source: http://web.b.ebscohost.com/ehost/detail/detail?vid=11&sid=9d4e8766-1653-4fbf-9c9e-ddd23c9640b9%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=3672223&db=a9h

broadcast-music-incorporated

My second source is closely related but hones in on an important issue. This is relevant to my life and project because it is specific to the producer. While the music making process involves various roles such as A&R’s, engineers, record labels, and managers, this article makes suggestions for producers like me. Like the previous source, this article compares and contrasts BMI and ASCAP. However, this article breaks down the different types of credits for each role in music making. This is important because of the current condition of the music industry. There is discrepancy in the music industry about credits, splits, and who deserves what percentage. This article breaks this down and makes suggestions for music producers on how to approach the process.

Source: http://web.b.ebscohost.com/ehost/detail/detail?vid=7&sid=9d4e8766-1653-4fbf-9c9e-ddd23c9640b9%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=114851806&db=a9h

Capstone Prep, Uncategorized

Capstone Prep – Blog #1

I can see the light at the end of the tunnel. I’m finally a senior! However, in consideration of the amount of work left to do, it feels like I’m an underclassman. Nonetheless, I am on the home stretch towards graduation and earning my degree. With graduation slowly approaching I must begin to think about my capstone project. Without much thought, I instinctively knew that my project will have something to do with music. Given the fact that I’ll be working on this project for the next two semesters, it’s a good idea to choose something I find highly interesting.

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Obviously, music can mean a million different things. I didn’t have a clue about what I wanted my project to be about specifically until I had a conversation with a classmate who told me he was using his own original music for his project. That got me thinking. I took that and stopped by my professor’s office the other day to ask some questions. After having that conversation, I became more aware of the fact that we are allowed to make our project our own and what we want it to be, as long as it satisfies the requirements of course. My professor had me explaining to him the process of how I produce, record, engineer, and publish my music. There is a great deal of importance in the engineering process that is very informative. The publishing process is also very relevant to my major simply due to the fact that involves copyright, advertising, campaigns, and appealing to and targeting an audience. My professor said I can use the exact process that I’m so passionate about and turn it into my capstone. After that conversation I had a slightly tighter idea and a lot more excitement. I haven’t officially decided what format to make my project but I’ve been leaning on a website. I also thought about the possibility of making a documentary. However, If I make a website I’ll plan on having multiple modes of media in it.

 

Tips

Tip | Mixing

Although mixing and mastering falls on the engineering side of things, in many ways it goes hand-in-hand with producing. There are producers who have their own engineers so all they do is produce. Likewise, there are engineers who can’t play a single lick on a piano. However, even when producing at a beginner level, you inevitably run into some aspects of mixing. Technically, even if you turn the volume of a snare down by instinct you are layering, which is part of mixing. With that being said, here is a very basic tip that will improve your sound and clean up your mix. Continue reading “Tip | Mixing”

Tips

Tip | Automation

Automation is the process of changing an aspect or quality of audio over time. For example, a simple automation could involve volume. The volume could fade out or decrease over time, which can be done by automation. Automation is an enormous aspect of modern music production. It is usually a very simple process, however the possibilities are endless. There are automations that are typical and commonplace, but you can automate just about anything you’d like. Today, I will explain the basics of this concept. Continue reading “Tip | Automation”

Tips

Tip | Glides

Glides or slides is a popular and important quality in all kinds of music. Its importance comes from the fact that many instruments naturally slide, and for that it is an authentic and human part of music. When one note gradually slides into the next one without a distinct moment of change, it sounds smooth and natural. This is heard in most in string instruments. Today I will explain how to execute glides using a sampler.  Continue reading “Tip | Glides”

Plugins

LennarDigital | Sylenth1

Sylenth1 is one of my most used and favorite plugins to use. Unlike the other plugin reviews I have done on this website, which are effect plugins, Sylenth is a virtual analog  VSTi synthesizer. In other words, this is a plugin that offers you endless sounds to use. Like all synthesizer plugins, it is simply a traditional and physical synthesizer keyboard that is rebuilt and tailored for digital music production. Sylenth is two sided with two identical envelopes. Each sound uses side A, side B, or a blend of both. Here are some of the specs.  Continue reading “LennarDigital | Sylenth1”

Tips

Tip | Quantization

Quantization is the process of the computer and DAW precisely correcting recorded notes so that they are exactly in perfect time. In modern music production, quantization is very common. Whether the notes are drawn in first, or corrected after they are recorded, each note is perfectly lined up on what we call the “grid”. On every DAW, this is done with a click of a button. This great tool is popular for many modern genres. The fact that we can create music that is more rhythmically accurate than what human beings are capable of has opened up a new world of music. On the contrary, in some scenarios, songs, and entire genres, quantization is not desirable.  Continue reading “Tip | Quantization”

Tips

Tip | Glue Compressor for Drums

Today I will discuss glue compressors. Glue compressors are similar to basic compressors but have different capabilities. If you aren’t too clear on compression in general, click here. A glue compressor can add warmth and color that a regular compressor can’t. They serve many purposes including a limiter, sidechaining, parallel compression, and more. Today however, I will discuss using a glue compressor to improve how your drums sound in a mix. Continue reading “Tip | Glue Compressor for Drums”